Just a quick fumble today. Some would say that's all I ever manage, but the imminent return of Gorillaz on their third album Plastic Beach is tremendously exciting. The first tune to surface from the album is the terrific 'Stylo'.
This sterling track has already been raved about everywhere from Tooting to Tokyo. On a personal level, I've been banging on about this track to everyone myself since it surfaced a while back. To paraphrase The White Stripes' 'Fell In Love With A Girl' - I said it once before but it bears repeating.
Even if 'Stylo' featured just the Damon Albarn vocal and the simple, minimal Danger Mouse bass and synth workout it would be a brilliant tune. However, the cunning street corner Mos Def rap and extraordinary, agitated, even frenzied Bobby Womack vocal ensure this tune is nothing less than outstanding. This can only be proper, really. The man behind Across 110th Street wouldn't just pop out of retirement after two decades to work on any old toot.
Londoners will also be salivating upon reading the latest from 'Murdoc', (Almost certainly Albarn's animated alter-ego at the heart of Gorillaz).
Murdoc/Albarn told NME: "Gorillaz were always influenced by The Clash. They were always my favourite band, I loved how they took the heart and soul of punk and reggae smeared it in London graffiti and paint and then sailed it round the world."
He added:"I don’t think that’s a million miles from what Gorillaz do now."
Rather excitingly, the title track includes former Clash guitarist Mick Jones (a hero London Liked was lucky enough to meet at a Primal Scream gig in 2006) and bassist Paul Simonon, the latter of whom worked with Albarn on The Good, The Bad and The Queen's debut (and probably only) album.
There'll be a full rundown on the Gorillaz album and any other Gorillaz news here soon.
STOP PRESS: Thurs 25/02.10: It has been announced this afternoon London station Xfm will be playing the whole of Plastic Beach on Tuesday March 2nd...
Just time to mention Banksy. The anonymous Bristolian grafitti artist has been a fascinating figure in the (street) art world for years. His pieces have been seen in locations across the world and particularly in London. One big question, perhaps the only one which really matters, is this: Can Banksy do anything more meaningful than paint clever pictures, with the odd joke in, on public walls?
The answer will be here on Monday when there'll be a review of his directorial debut, Exit Through The Gift Shop.
Monday 22 February 2010
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